The Kick-Bass Relationship
Kick and bass fighting for space? This lesson covers sidechain compression, frequency carving, and arrangement techniques.

Video lesson coming soon
Introduction
The kick and bass occupy the same frequency range—roughly 40-150Hz. Without proper management, they'll fight each other, resulting in a muddy, undefined low end. This lesson teaches you three approaches: sidechain compression, frequency carving, and arrangement techniques.
Sidechain Compression
Sidechain compression automatically ducks the bass whenever the kick hits, creating space for both elements.
Basic Setup
- Insert a compressor on your bass track
- Set the sidechain input to your kick drum
- Set ratio to 4:1 or higher
- Fast attack (1-5ms), medium release (50-150ms)
- Adjust threshold until you see 3-6dB of gain reduction
Release Time Is Key
The release determines how quickly the bass comes back after the kick. Too fast = pumping effect. Too slow = bass disappears. At 134 BPM, start around 100ms and adjust by ear.
Frequency Carving
Instead of ducking the whole bass, you can carve out specific frequencies so kick and bass occupy different spaces.
The 60Hz Rule
- Kick dominant below 60Hz: Cut bass below 60Hz
- Bass dominant above 60Hz: Cut kick above 80-100Hz
This way, each element owns its frequency range.
Arrangement Techniques
Sometimes the best solution is arrangement:
- Avoid bass notes on kick hits: Let the kick breathe
- Start bass after kick transient: Delay bass notes by a 16th
- Use different octaves: Kick sub + bass mid frequencies
Summary
Clean low end comes from making choices: sidechain for pumping energy, EQ carving for separation, or arrangement for clarity. Often, a combination of all three works best.
Devil's Advocate
Advanced thinking for experienced producers
"Is a 'clean' low end always the goal?"
Modern production obsesses over separation, but classic UKG had messy, overlapping low end that created warmth and weight. Perfect clarity can sound sterile.
Alternative Workflows to Try
- 1.Try mixing kick and bass without any sidechain or EQ carving — let them overlap naturally.
- 2.Use arrangement to solve low-end clash instead of processing — move bass notes away from kick hits.
- 3.Reference classic UKG tracks and notice how 'muddy' the low end actually is compared to modern standards.
Critical Thinking Traps
Trap: "Sidechain compression is essential for UKG."
Reality: Classic UKG predates widespread sidechain use. The pumping effect is a modern addition, not a requirement.
Trap: "Kick and bass should never overlap in frequency."
Reality: Some overlap creates weight and glue. Total separation can sound thin and clinical.
Trap: "I need to high-pass my bass to make room for the kick."
Reality: Many iconic tracks have bass that extends into sub frequencies alongside the kick. Context matters.
Download: Sidechain presets + EQ settings
Compressor and EQ presets
